A BRIEF SUMMARY

Format: CD/DB-LP/MC
Udgivet: Maj 2018
Selskab: Panoptikon
Katalognummer: OPTIK 50

Kunstner: Martin Hall
Tekster: Martin Hall
Musik: Martin Hall, EMP, Efterklang, Linus Carlsen, Othon, Christian Skeel
Producer: Martin Hall
Design: Kenneth Schultz
Foto: Maiken Kildegaard

INDEX

1. P.O. (feat. Andersson and Else Marie Pade) 2:36
2. St. Petersburg Notes (feat. Christian Skeel) 4:04
3. Lesser Gods (feat. NHØP) 4:11
4. A.S.A.P. 1:51
5. 40 Versions Of The Time Before (feat. Claus Beck-Nielsen Memorial) 2:41
6. Semi 3:46

7. Minor Frame 2:42
8. Ash And Lemon Water 3:09
9. Tu Es Mon Image (feat. Efterklang) 7:00
10. Tout Le Monde (feat. Marquis Marcel de Sade) 1:32
11. Plaza Flesh 2:33

12. Muted Cries 4:17
13. Interim 1.46
14. Cue 3:20
15. Emblematic (feat. Othon) 2:21
16. Exit Signs 4:55
17. Sob Story (feat. Miss Fish and Mikkel Meyer) 3: 39

18. Pantomime 3:38
19. Schwund (feat. Herbert Zeichner) 1:46
20. Meth 8:20
21. Mimic 4:28
22. Replicator 2:46

TEKSTER
P.O.

I’ve seen your face a thousand times
I’ve seen you hide in the crowd
I feel you run within my blood
But dreams are never quite enough
Not enough

All I want to believe in is the look in your eyes
All I want to believe in is your sigh
Let me stay here forever, let me stay here tonight
Let us stay here together, for a while

No one knows you better than me

St. Petersburg Notes

The cigarette smoke in the air
The smouldering waves everywhere
Full of eyes
Prune-coloured eyes
In Moscow and St. Petersburg
The places turn into a blur
In your mind
A violent sigh

The salt water traces that burn on your skin
The words that you hid in letters never sent
Your heartbeat’s a rage never tamed, never shown
Wherever you go, you’re never alone

The alcohol glows for a while
It’s shining like gold in the light
Like a trace
Of halcyon days
Like ghosts in their circuits of loss
You carry your own little cross
As a shield
Against any need

Wherever you go, you leave something behind
The parts of yourself you’ve been trying to find
The smell of the night seems to stick to your skin
All locked in a cage, the journey begins

Lesser Gods

Suddenly
Came to see
Everything so differently
Children of lesser gods
Haunt my mind
All the time

Strangers inside of me
All distant memories
Turning another page
In the book of days
Rain falling in the night
Like teardrops from the sky
Falls like my imagery
Falling inside of me
Seemingly endless

Pauses inside of me
Empty of memory
All of the whys and hows
Coming full circle now
Rain falling in the night
Falls from an empty sky
Seemingly

A.S.A.P.

She’s turning away to lie still for a while
Just watching the clouds drifting by on the night sky
The skin of a girl and the face of a child
She touches my hand and suggests that we go out

She’s checking her face in the mirror
Adjusting her hair endlessly
The hard light of the elevator
Follows her out in the street
It’s too hot to sleep

40 Versions Of The Time Before

Falling asleep on a long distance flight
The images in the still of the night
A scent of waste
The sight of your face

A flicker of uneasiness
Will I be able to forget now?
Nurses and young girls in a row
How can I ever let you go now?

Like 40 versions of the time before
The ballerinas at my feet
The connoisseurs out in the street
You mean nothing to me

Just try to tell yourself the tale again
You tell yourself it’s all the same again

The city lights that came alive
The stars that fell down from the sky
You turned around within the light
Your skin so frail and lily-white
The centre of the Western world

A glamorous confusion zipped
Upon the parting of your lips
Intangible as every breath
As inescapable as death
It means nothing to me

Semi

Hey baby
Let’s go out tonight
I don’t want to feel this way

Forget all your troubles
Forget them tonight

Minor Frame

Crowded Saturdays
Guest among ghosts
A girl made of shivers
Girls on their own

Rolled down shades
Sweet, harsh sweat
It’s the choked laughter
The unmade bed
All the things you might remember
Things you might forget

Looking young and old
In the same glance
Nervous tenderness
But steady at hand

Curly hair
And vinyl sounds
Guess it’s carved in the faces
Carved and painted down
A cigarette that’s burning
Along the line

I guess that she’s the one you won’t forget

Ash And Lemon Water

Ash and lemon water
Shining on your lips
Whatever you do
Don’t try to resist

It’s the kind of understanding that makes you feel uncomfortable
It’s the kind of circumstances that make you feel so old

You’re all immune
To crowded rooms
Your heart’s made of air
It’s easy to share

You’re sliding down
The open sky
A handle that breaks
Excitement’s a rage

Tu Es Mon Image

Les rails de la nuit noire
Ils brillent comme lumière
Le monde ne dort jamais
Nourrit nos rêves
Mon image de toi
Est tombée du ciel

Les rêves paraissent continuer
Les chants intérieurs
Murmure des mots inouïs
Tu es mon image
Enfourche la lumière comme une vague

Les yeux d’océan, d’amant ne mentent jamais
Détournons nous comme des étrangers

Tout ce que je veux, c’est tout
Tout ce que je veux, c’est toi
Tu es mon image, c’est toi

Les rails de la nuit noire
Ils brillent comme lumière
Le monde ne dort jamais
Nourrit nos rêves
Mon image de toi
Est tombée du ciel

Tombée du ciel
Tu es mon image
Plus bleus que toute raison
Timides comme tout mensonge

Des yeux d’amants jamais secs
Tu es mon image

Tout Le Monde

April 4 turning 9.25
Writing words in the air
Lovers left with a cool rainy day
Places no longer there

Cardboard letters and manners that fail
Paris Odéon girls
Doors are closing
Lights still glowing with a weak innocence

Plaza Flesh

Show me your true desires
Show me your plaza flesh
Pictures of people dying
Seem to have no effect anymore

I don’t really give as much as a toss anymore
I just want to hide away, never beg anymore
I don’t really count the days or the hours anymore
‘Cause she’s gone
‘Cause she’s gone

Come now
Inject the daylight
Come here
Each little girl
At first
Just want to kiss you
But then I want it all
I want excess
Your plaza flesh

Muted Cries

The clouds in her eyes
A whispering need
Shedding her light all over me

Try recall the cities in twilight
The clubbing
The cigarette sky
As you notice the silence
The carvings
The memory lines
The muted cries

A jaded desire
A comforting need
Walls coming down
On callous beliefs

Try recall the cities in twilight
The clubbing
The cigarette sky
As you notice the silence
The carvings
The memory lines
The muted cries

Cue

The cities of light, the mirrors beneath the stars
In all of my life I’ve followed my untamed heart
It burns like a fever in the sleepless nights
Behind closed doors and behind closed eyes

The sea of the sky keeps shining a world of gold
The sweeter the song, the sadder the tale that’s told
Like a secret that I’ll never know
There’s a feeling that will follow me anywhere I go

I’ll walk on the waters
I’ll quiet the storms
With you as my reason
With you as my calm

Emblematic

I felt a sigh pass your lips
I saw the weight on your eyelids
Yet there you swagger and there you go
The mise-en-scène of your mercy drome

Too many images at play
Too many faces in a day’s work
Your sweet incentive, it’s so relentless
My grief’s been waiting for this day

No easy answers, only hard choices
I guess we came to the end of the road
Your random gender, my desolate needs
The splintered voices of lost beliefs

Trading commodities with no fixed presets
No traces left of a long gone starlet
Pornographers and secondhand consumer rights
All sons and lovers of 70’s delight

Exit Signs

Cheekbones made of light
Somewhere it’s morning
The languid grey of night
Leaving the fragrance of a cry

Guess you’re sliding back into your life
The pressure on your eyelids
Patterns of waiting
Of suffocating
Replaying the same scene
Recalling the same dream

Cover any feeling
Cover any reason now
You’re breathing the same air
The same hysteria

Like a mirrorball that shines
Just another flash of light
Deteriorating
Forgetting the details
Rewriting the scene in your mind

The exit signs of light
She’s lying beside me
She’s hidden in a sigh
In the changes of a room

Guess she’s sliding back into her life
The pressure on her eyelids
The time that it’s taking
Before she awakens
It feels like a lifetime
A memory rewind

Sob Story

Hide away
With somebody else by my side
It could have been anyone
It could have been you
A moment ago
Whatever you do
Whatever you say
It won’t be the same
Just won’t be the same

For someone like you
It’s all just a game
I guess it’s always the same
Whatever the stakes
It’s a reason to fail
A reason to hate

Pantomime

Feeling like Berlin 1929
So many feelings all caught up inside
Falling like cities seen through lovers’ eyes
Shaking with fever as they say goodbye

Each time you look
Somebody hides
All of the world
Up in the clouds

Feeling so stupid in this pantomime
All that I need is a pair of starry eyes

Schwund

Metaphysische Diskussionen in einer Bierstube: nichts ist, nichts wird, nichts ist nicht. Wir fassen uns selbst als rationale Wesen auf, die Tatsachen akzeptieren und Argumente respektieren, in Wirklichkeit jedoch glauben wir nur an das, an das zu glauben wir gelernt haben. Unsere Spiritualität ist eine mechanische Konstruktion.

Niemand kann gegen Vermutungen aufbegehren, die nicht formuliert worden sind. Weder sie noch ich. Wir sind an unsere Vermutungen gebunden. Gebunden an das gegenseitige fehlende Verständnis von uns selbst. Mutige Feiglinge sind wir, Gespenster aus dem Spanischen Bürgerkrieg, Fetzen von Erinnerungen an etwas, das einst geschah.

Wir sind das Geschehene. Wir sind Schwund.

Meth

Wide eyes, swollen lips
She examines herself like she’s about to fade
Into air
Into all she disbelieves
Skin engraved with burns
Like a jaded belief about to disappear
There’s no need
To enact this line of ways

Trace the fading needs
The ebbing desirability
You’re turning away
Still hiding your face
Don’t you know your name?
Through all of these years it stayed the same
It’s always been you
I just couldn’t choose

Lines
She wets her lips
Leaning back with her arms wrapped around her knees
To adjust
To recalibrate the need
Words in pantomime
Eyes like shimmering marble
Pressure veiled by grace
Once again
Seems to settle for reserves

Don’t you feel the weight?
The slight hesitation, the delay
Aesthetic beliefs
Won’t cover this need
Don’t you know your name?
Through all of these years it stayed the same
Whatever I do
It’s always been you

Try to hold back the dawn
Try to hold back the morning
Hold back the night
If just for a while

Mimic

The midnight music from a distant room
The morning light, it always comes too soon
Lick your tongue now
Against my desires
Late at night
Even the sounds, they shine

Winter tales that last forever
Summer rites that taste so sweet
Just another chance encounter
Of lines that meet
Of mimic needs

VIDEO

ANMELDELSER

“Martin Hall beviser endnu en gang, at han hører til på niveau med musikmytologiske helteskikkelser som Brian Eno og David Bowie … Med A Brief Summary støber Martin Hall fundamentet til sit eget mausoleum, hvor man kan komme og mindes de faldne musiklegender, men hvor der selvfølgelig også skal være plads til, at kommende generationer kan holde fest.”
Information – Sophia Handler (18. maj 2018)

BESTIL ALBUM

Du kan bestille alle tre formater via Target Groups webshop.

Musikere

Martin Hall (vokaler og instrumenter)
The Vista Dome Ensemble (orkester)
Else Marie Pade (elektronik)
Efterklang (instrumenter)
Konsort (kor)
Claus Beck-Nielsen Memorial (kor)
Herbert Zeichner (oplæsning)
Katja Andersson (vokal)
Biljana Stojkoska (vokal)
Marcel de Sade (flygel)
Mikkel Meyer (elektronik)
Miss Fish (vokal)
Othon (flygel)
Linus Carlsen (flygel)
Johnny Stage (guitar, mandolin og klokkespil)
Henriette Groth (flygel)
Ida Bach Jensen (kontrabas)
Eskild Winding (harmonium)
Christian Skeel (keyboards og strygerarrangementer)
Sara Wallevik (violin)
Iben Teilmann (bratsch)
Henrik Marstal (cello)
Ole Hansen (keyboards, trompet og valdhorn)
Jens Albrectsen (piano)
Niels-Henning Ørsted Pedersen (kontrabas)
Jonas Johansen (trommer)
Karoliina Koivisto (violin)
Hélianne Blais (violin)
Anette Slaatto (bratsch)
Gry Vester-Andersen (cello)
James Crabb (akkordeon)
Mimi Kjær (flygel)
Dennis Jørgensen (pauker)
Mads Strandgaard (flygel)
Thomas Li (networks og treatments)

Album mastering 2018 foretaget af Thomas Li.

Info

I forbindelse med sit 40-årsjubilæum som udøvende musiker udsendte Martin Hall fredag den 4. maj 2018 albummet A Brief Summary, en retrospektiv udgivelse med flere nyere indspilninger, bl.a. singlen og videoforløberen ”Lesser Gods”. Et andet nyindspillet nummer er ”Semi”. Ud over dette byder albummet på remakes og alternative udgaver af Halls eget foretrukne materiale fra primært det 21. århundrede.

Titlen blev udgivet som dobbelt-vinylalbum, digipack-CD samt MC (musikkassette) – alle formater i begrænsede oplag. Om end grafik og farvekode er éns på de tre udgivelser, varierer forsidens motiver, sådan at den samlede serie udgivelser danner sin egen endelige helhed.

Blandt gæsteoptrædenerne på albummet finder man bl.a. den musikalske pioner Else Marie Pade (1924–2016), gruppen Efterklang, den britiske pianist Othon samt den danske jazzlegende Niels-Henning Ørsted Pedersen (1946-2005). Sidstnævnte medvirker på det delvist genindspillede nummer ”Lesser Gods”, der blev gjort tilgængelig som digitalsingle den 30. marts 2018.

Albummet gik i øvrigt meget overraskende direkte ind som #2 på den officielle danske vinylhitliste i uge 19 (2018) — Martin Halls højeste hitliste-placering nogensinde.

Læs eventuelt også dagbladet Informations store og fint opsummerende anmeldelse af pladen her:
 

 

 
Pladen er udgivet med støtte fra Statens Kunstfond, Koda, Dansk Artist Forbund (DAF), DJBFA (DJBFA’s Produktionspulje og Kodas Kulturelle Midler) og Dansk Skuespillerforbund (DSF).

Martin Hall 1978–2018 – en hurtig gennemgang:

Martin Hall dannede sit første punkband (R.A.F.) i 1978, femten år gammel. Året efter debuterede han som sanger med postpunk-gruppen Identity (det senere Ballet Mécanique) ved den legendariske festival ”Concert of the Moment”. I foråret 1980 pladedebuterede Ballet Mécanique, og trioens album The Icecold Waters of the Egocentric Calculation regnes stadig for en af dansk postpunks vigtigste udgivelser.

Gennem sit mangeårige virke har Hall altid integreret mange forskellige stilarter i sit arbejde – rock, elektronisk musik, pop og avantgarde. Op gennem start-80’erne arbejdede han især med at udvikle den elektroniske side af sit udtryk, hvilket f.eks. udmøntede sig i ”skandaleværket” Inskription (en støjkomposition skrevet for violin, ekkomaskiner og båndoptagere opført i Radiohuset i 1983) samt de markant elektronisk-dominerede soloplader Relief (1985) og Cutting Through (1986), der begge opnåede stor anerkendelse på det tyske marked.

I 90’erne fokuserede Hall på de mere ambiente aspekter i sin musik og udgav bl.a. det selvfinansierede hovedværk Random Hold, der høstede mange anmelderroser både herhjemme og rundt omkring i Europa. Op gennem 00’erne har Martin Halls samarbejder været domineret af en række eksperimenterende og klassiske kunstnere, og det er især denne senere periode, som A Brief Summary fokuserer på.